Monday, December 23, 2002

Dec 2002

Whining about Dining - 12/2/2002









Even If you knew that "semi-formal" meant "not black tie" which means wear a suit ... would you deck yourself in a stuffy suit and a non-matching tie? Taking the chance that this is Singapore and it's HOT, I didn't and ended up being the only person in a room of suits that wasn't in a suit. (I did however wear my very nice brown mandarin collar shirt, and a proper pair of trousers ... the hip-pouch however did give me away somewhat...) Anyway, it shouldn't matter. People probably make concension for the fact, "This one teacher, doesn't understand the ways of the world."

'Twas a JC classmate's wedding dinner. It was pleasant and all. Person I sat next to had interesting things to say all evening. He'd been a JC classmate as well. I tend to be awfully quiet at these events and laugh to myself at the pretentiousness of the conversation (some of it at least). I guess the eavesdropping didn't go unnoticed as the person next to me made the occassional remark about the betrayal of my facial expressions.

Anyway there were some pple at my table whom I had been classmates with since Sec 1. (Yes - the ACS boys that went to RJ is the apt description of us ... ) Yet we're worlds apart right now. Them living their lives in corporate big time and me, well living my life on holiday. Which is as much as anyone says when they meet me, "Eh, teacher right? On holiday now right?"

So to everyone who is still in possession of yourself. Make life and conversation meaningful - before it all becomes cliche and inane!









Off To NY - 12/3/2002







Will be off tomorrow to NY to see Ms Tan. Won't be doing much except mooch around the city. But then there'll be lots to look at hear and think about in NY anyway. I'm quite intent on documenting snippets of the trip so I'll try to post observations and a link to pictures here (the first real outing for my digicam!)

So stay tuned.







Off To NY - 12/3/2002







Will be off tomorrow to NY to see Ms Tan. Won't be doing much except mooch around the city. But then there'll be lots to look at hear and think about in NY anyway. I'm quite intent on documenting snippets of the trip so I'll try to post observations and a link to pictures here (the first real outing for my digicam!)

So stay tuned.

Testing - link to photos

Check











New York New York! - 12/6/2002







Am finally in NY after 23 hours ++ on a plane. I must say the flying was quite boring. Watched many movies and was so bored I even went to the toilet to take a photo of myself!

Everything went well except that during the transit in Frankfrut I wandered a little far off and found myself outside the checked in area and had to take a long de-tour to get back in ... other than that it was pretty unadventurous.

New York snowed the day I got in! Which was pretty special as it hadn't snowed yet and isn't supposed to. After meeting Edna at the Airport we took a train (the A train referred to by Ellington and Strayhorn, actually for those jazz enthusiasts out there!) to get back to her dorm. On the way we had lunch at Tom's Restraunt - which was the Seinfield diner. It was really cold and snow was just falling continuously and so we made the resolution to get me some proper shoes later in the evening.

So we went out in the evening - a little scary with weird men muttering strange things in the train. Actually the subway can be quite a scary place - I'm really impressed that Edna's been commuting all alone on it. Anyway - everyone just looks at each other and because there's such ethnic diversity, you can't help but notice the different styles.

Walked by ground zero and saw the construction going on at night. Thought it would be rude to take photos though so didn't. Bought some pretty tough looking Timberlands.

Next morning - we visited Central Park. It's lovely in the snow - really like a winter wonderland. Met a Dog and his owner and played with the dog a bit. Played around in the snow and trudged around. It's really stimulating for the senses to be in a space that is so different seasonally from Singapore.

Check out the pictures. They're not in order - my mistake - I'll number the next batch so that they make sense chronologically!





4-6 Dec







More from New York - 12/9/2002







Sat, we walked the Brooklyn Bridge which connects Manhatten (which is mainly where people think all of NY is) with one of its boroughs, Brooklyn. The Bridge is supposed to be an architectural marvel, being the longest suspension bridge at the time that it was built. More significantly, it changed the social landscape of NY, linking two separate cities, and making them one. It's a pleasant walk over the bridge. There's a walkway over the traffic and the swirl of the wind forces you to keep walking. Conversation is swallowed by the wind and one makes the crossing alone. Hart Crane wrote an inaccessible but awfully stirring poem in his idealised age of the machine. Several early 20th century American artists also intepreted the bridge. I suppose it was a time of hihg optimisim about what the wonders of steel and cable could do for humanity.

In Brooklyn, we ate at Grimaldi's. There was actually a queue even before it opened. It's been rated the best pizza place in NY for several years and they're brazen enough to tell you they won't do deliveries or slices - they don't need the extra business. And they don't have fancy sides. Just Pizza - and you choose the topping. No cute names or garlic bread. And it's really good pizza. Ms Tan and I managed to easily put away a small (which was a 16 inch). And I could have easily polished off another one ...

Next day. Ms Tan had to study so I wandered around the Museum Mile (so its called) alone. Was nice cause I walked through Central Park and had some time to look at the buildings. Visited the Guggenheim and the Whitney. Spent 2 hours in each. Nice being able to see some of these Modern Art pieces that you've only encountered in books. The scale of some of the pieces, the sheer magnitude of paint stretching itself across canvas, was itself an enthralling experience.

Got back and had dinner with some Singaporeans living in NY.

Dec 7-9







More of NY - 12/12/2002







Been exploring more of NY. Have been to many music and bookstores. Apart from Tower, Virgin, Barnes and Noble, HMV, there are quite a number of smaller bookstores as well. Have been spending hours in them. I think there was a day I spent like 4 hours in three second hand bookstores. Anyway there's like this mega 2nd hand bookstore called the Strand ... it claims to have 8 miles of books - it's really great - lots of obscure crit books at half price too. Found an autobiography of Hart Crane that I've been reading. Sadly, I haven't been able to locate 2nd hand Delany. I figure I'll just have to get new copies ... which Barnes and Noble does stock.

Managed to visit the Columbia Libraries as well. There are many but the main one, for the Arts and Humanities is this huge building called the Butler Library. Am quite pleased that I actually qualify for membership cause Ms Tan is studying here! got my library card made in less than 20 mins (which is a lot more efficent than SOME institutions of higher learning that I'm acquainted with ...) and explored the library. It's a wonderful place. The books are in these cell like rooms with low ceilings that are like shut off from the main library. So you have to know what you want and then take a trip to "the stacks". Pretty much like a labyrinth, with 12 floors of stacks ...

Managed to visit the NY Public Library as well. It's an all reference library with gorgeous interiors. The amazing thing is the commitment that NYorkers put into preserving these buildings and giving funds for these institutions to be preserved.

Walked around 5th Avenue, the Rockafeller (?) centre Times Square, the UN (!), Greenwich Village too. The weather's been nice except for when it rained and when the wind blows - just chills you to the bone.

Visited a Jazz club called the iridium - ron carter was playing. A very short set but highly satisfying. His percussionist was excellent - inventive and appropriate.

Been spending too much on books and CDs - need to show some self restraint ... the damaages thus far:

Books -
The Broken Tower - Biography of Hart Crane
Forbidden Knowledge - From Prometheus to Pornography
The Illusion of Power - political theatre in the English Renaissance
Alternative Shakespeares - edited by John Drakakis
The subject of Tragedy - Identity and difference in Renaissance Drama
Shakespeare Left and Right
All that is solid melts into air - Berman Marshall
Sweet Tragedy - Terry Eagleton
The Book of Laughter and Forgetting (not for me!)
this week's edition of the New Yorker - couldn't resist - it's damn cheap compared to back home at the Holland V mama shop ...

CDs
Pithecanthropus Erectus - Charles Mingus
Free Jazz - Ornette Coleman
Inner Urge - Joe Henderson
Big Train - Wynton Marsalis
Juju - Wayne Shorter
Compilation - McCoy Tyner Big Band

And I have been resisting buying Videos and DVDs ...

Will try to watch a musical soon. Am gunning for "Harlem Song" cause it's showing at the Apollo Theatre - which is supposed to be the heart of Afro-American art in NY, is about the history of Harlem, isn't in crowded Times Square but is up here in Harlem, and is damn cheap compared to Broadway ... see how maybe will go for the Sat Matinee.

More Pics







Home home - 12/23/2002







Just got back. Tired man. Weather is suffocating. Muggy is the word. Getting off the plane is always difficult to do. At least there's the new year to look forward to. With each leaving, a return insists on writing itself, even if it never materialises. a mushy, corny anecdote. Leaving for NY on Dec 4, the plane was delayed. So the KrisWorld entertainment panel was playing even before the plane left the ground. I was listening to channel 3, which plays songs from musicals. As the plane took off, the channel played the Nicole Kidman number from Moulin Rouge, One Day I'll Fly Away - how fitting I thought. Except that our yesterdays are never left behind. Anyway - I'm allowed to sentimentally think that there's a better life somewhere away from here...

I follow the night
Can't stand the light
When will I begin
To live again?

One day I'll fly away
Leave all this to yesterday
What more could your Love do for me?
When will Love be through with me?

Why live life from dream to dream?
And dread the day when dreaming ends

One day I'll fly away
Leave all this to yesterday
Why live life from dream to dream?
And dread the day when dreaming ends

One day I'll fly away
Fly, fly away

Meanwhile, Ms Tan is really happy to be back for a short three weeks. That's nice.









TV - 12/29/2002







Tonight, I'll watch TV by staring out across the street into the House that's right opposite cause the Guy there owns a TV set so big that he had to build whol room just to make sure it fit. In doing so I become the purveyor of the Irrelevant and strange, noticing the changing colours on his monitr but not comprehending the wordless lip movements of those spots on the screen. Actually from this Distance, I still make out the faces but because it's Channel 8 I don't recognise the expressions and cannot put names to the faces. Tonight while I stare through layers of glass I remember that this would be a thought worth documenting as I peep into a world far beyond myself - into some one else's living room.





Wednesday, December 11, 2002

New York Trip Dec 2002


Off To NY - 12/3/2002

Will be off tomorrow to NY to see Ms Tan. Won't be doing much except mooch around the city. But then there'll be lots to look at hear and think about in NY anyway. I'm quite intent on documenting snippets of the trip so I'll try to post observations and a link to pictures here (the first real outing for my digicam!)

So stay tuned.

New York New York! - 12/6/2002


Am finally in NY after 23 hours ++ on a plane. I must say the flying was quite boring. Watched many movies and was so bored I even went to the toilet to take a photo of myself!

Everything went well except that during the transit in Frankfrut I wandered a little far off and found myself outside the checked in area and had to take a long de-tour to get back in ... other than that it was pretty unadventurous.

New York snowed the day I got in! Which was pretty special as it hadn't snowed yet and isn't supposed to. After meeting Edna at the Airport we took a train (the A train referred to by Ellington and Strayhorn, actually for those jazz enthusiasts out there!) to get back to her dorm. On the way we had lunch at Tom's Restraunt - which was the Seinfield diner. It was really cold and snow was just falling continuously and so we made the resolution to get me some proper shoes later in the evening.

So we went out in the evening - a little scary with weird men muttering strange things in the train. Actually the subway can be quite a scary place - I'm really impressed that Edna's been commuting all alone on it. Anyway - everyone just looks at each other and because there's such ethnic diversity, you can't help but notice the different styles.

Walked by ground zero and saw the construction going on at night. Thought it would be rude to take photos though so didn't. Bought some pretty tough looking Timberlands.

Next morning - we visited Central Park. It's lovely in the snow - really like a winter wonderland. Met a Dog and his owner and played with the dog a bit. Played around in the snow and trudged around. It's really stimulating for the senses to be in a space that is so different seasonally from Singapore.
Check out the pictures. They're not in order - my mistake - I'll number the next batch so that they make sense chronologically!

More from New York - 12/9/2002

Sat, we walked the Brooklyn Bridge which connects Manhatten (which is mainly where people think all of NY is) with one of its boroughs, Brooklyn. The Bridge is supposed to be an architectural marvel, being the longest suspension bridge at the time that it was built. More significantly, it changed the social landscape of NY, linking two separate cities, and making them one. It's a pleasant walk over the bridge. There's a walkway over the traffic and the swirl of the wind forces you to keep walking. Conversation is swallowed by the wind and one makes the crossing alone. Hart Crane wrote an inaccessible but awfully stirring poem in his idealised age of the machine. Several early 20th century American artists also intepreted the bridge. I suppose it was a time of hihg optimisim about what the wonders of steel and cable could do for humanity.

In Brooklyn, we ate at Grimaldi's. There was actually a queue even before it opened. It's been rated the best pizza place in NY for several years and they're brazen enough to tell you they won't do deliveries or slices - they don't need the extra business. And they don't have fancy sides. Just Pizza - and you choose the topping. No cute names or garlic bread. And it's really good pizza. Ms Tan and I managed to easily put away a small (which was a 16 inch). And I could have easily polished off another one ...

Next day. Ms Tan had to study so I wandered around the Museum Mile (so its called) alone. Was nice cause I walked through Central Park and had some time to look at the buildings. Visited the Guggenheim and the Whitney. Spent 2 hours in each. Nice being able to see some of these Modern Art pieces that you've only encountered in books. The scale of some of the pieces, the sheer magnitude of paint stretching itself across canvas, was itself an enthralling experience.

Got back and had dinner with some Singaporeans living in NY.

More of NY - 12/12/2002

Been exploring more of NY. Have been to many music and bookstores. Apart from Tower, Virgin, Barnes and Noble, HMV, there are quite a number of smaller bookstores as well. Have been spending hours in them. I think there was a day I spent like 4 hours in three second hand bookstores. Anyway there's like this mega 2nd hand bookstore called the Strand ... it claims to have 8 miles of books - it's really great - lots of obscure crit books at half price too. Found an autobiography of Hart Crane that I've been reading. Sadly, I haven't been able to locate 2nd hand Delany. I figure I'll just have to get new copies ... which Barnes and Noble does stock.

Managed to visit the Columbia Libraries as well. There are many but the main one, for the Arts and Humanities is this huge building called the Butler Library. Am quite pleased that I actually qualify for membership cause Ms Tan is studying here! got my library card made in less than 20 mins (which is a lot more efficent than SOME institutions of higher learning that I'm acquainted with ...) and explored the library. It's a wonderful place. The books are in these cell like rooms with low ceilings that are like shut off from the main library. So you have to know what you want and then take a trip to "the stacks". Pretty much like a labyrinth, with 12 floors of stacks ...

Managed to visit the NY Public Library as well. It's an all reference library with gorgeous interiors. The amazing thing is the commitment that NYorkers put into preserving these buildings and giving funds for these institutions to be preserved.

Walked around 5th Avenue, the Rockafeller (?) centre Times Square, the UN (!), Greenwich Village too. The weather's been nice except for when it rained and when the wind blows - just chills you to the bone.

Visited a Jazz club called the iridium - ron carter was playing. A very short set but highly satisfying. His percussionist was excellent - inventive and appropriate.

Been spending too much on books and CDs - need to show some self restraint ... the damaages thus far:
Books - The Broken Tower - Biography of Hart Crane

Forbidden Knowledge - From Prometheus to Pornography

The Illusion of Power - political theatre in the English Renaissance

Alternative Shakespeares - edited by John Drakakis

The subject of Tragedy - Identity and difference in Renaissance Drama

Shakespeare Left and Right

All that is solid melts into air - Berman Marshall

Sweet Tragedy - Terry Eagleton

The Book of Laughter and Forgetting (not for me)

this week's edition of the New Yorker - couldn't resist - it's damn cheap compared to back home at the Holland V mama shop ...

CDs

Pithecanthropus Erectus - Charles Mingus

Free Jazz - Ornette Coleman

Inner Urge - Joe Henderson

Big Train - Wynton Marsalis

Juju - Wayne Shorter

Compilation - McCoy Tyner Big Band


And I have been resisting buying Videos and DVDs ...
Will try to watch a musical soon. Am gunning for "Harlem Song" cause it's showing at the Apollo Theatre - which is supposed to be the heart of Afro-American art in NY, is about the history of Harlem, isn't in crowded Times Square but is up here in Harlem, and is damn cheap compared to Broadway ... see how maybe will go for the Sat Matinee.

Home home - 12/23/2002

Just got back. Tired man. Weather is suffocating. Muggy is the word. Getting off the plane is always difficult to do. At least there's the new year to look forward to. With each leaving, a return insists on writing itself, even if it never materialises. a mushy, corny anecdote. Leaving for NY on Dec 4, the plane was delayed. So the KrisWorld entertainment panel was playing even before the plane left the ground. I was listening to channel 3, which plays songs from musicals. As the plane took off, the channel played the Nicole Kidman number from Moulin Rouge, One Day I'll Fly Away - how fitting I thought. Except that our yesterdays are never left behind. Anyway - I'm allowed to sentimentally think that there's a better life somewhere away from here...

I follow the night

Can't stand the light

When will I begin

To live again?
One day I'll fly away

Leave all this to yesterday

What more could your Love do for me?

When will Love be through with me?
Why live life from dream to dream

And dread the day when dreaming ends

One day I'll fly away

Leave all this to yesterday

Why live life from dream to dream?

And dread the day when dreaming ends
One day I'll fly away

Fly, fly away

Meanwhile, Ms Tan is really happy to be back for a short three weeks. That's nice.

Saturday, November 23, 2002

November 2002

Slow Afternoon - 11/2/2002







Sitting around in the staffroom, just marked two months wort of attendance cause te end of the year is near and this is the only thing that counts as work. I drfit to the sounds of the door swinging open beind me with busy people wandering shuttling in and out of their business and contend with the unresponsive "h" key on my lap top as I try to trot out an entry on these stubborn keys. Need to press them extra hard and Im pretty sure there's a touc h response system to this comp that I havent found out about.

In front of me, harried teacher on a Sat Afternoon thinking about a weekend of work ahead of her. I'm just here - fly upon the wall. People come and go oblivious to the curious lines they leave on the clean floor. The tiles are newly mopped so each stain is significant. But after a while who bothers. I find it wasn't the key that was faulty but that my angle of attack was too oblique, the pressure not direct enough for an immediate effect. So it is with the things I've done this week - from the terrible chasing for PW files to the scroungingaway from a potentially political situation in the Dept. In effect - I place ease of mind and travelling light above desire and ambition. I suppose where desire matches with a politically neutral position, then well and good. But this week I walked away from opportunity because I wanted to make sure I didn't get entangled in department politics. I didn't even see it coming. Anyway it wasn't even opportunity for me - it was more a statement of interest and preference and of course, as in all things, my passion for Lit. Unfortunately, teaching Lit in this EL dept is a highly politicised affair. So I extricated myself from it. Ah well - not missing much anyway - A level lit tends to be very parochial.

Enough already - got a sucky A level invigilation time-table ... The Chief Presiding Examiner said - for those lucky ones, you get only one full day (out of the 10). Those unlucky - get 2 full days. I got two full days. And worse - I end right on the last day of the papers -3rd of Dec ... while most of the others end on 27th Nov - ah well - you take what you get ...wasn't planning to go to NY until the 4th anyway ... so I'm not too sore about it.

Sat through an evening of strange observations last night. College staff dinner. Was a reluctant attendee. I marvel at the enthusiasm that some of my peers display for these things. Sat with the cynical EL teachers. Quite strange cause I should really have been sitting with either the J1 GP teachers or the batch of New teachers. Either way it was an odd affair. I suppose it underlines the fact that social obligations are not my strength. And I really don't intend to make any drastic adjustments in this area. Yet despite being an old hand at being out of place, I still feel the awkwardness of it. Wonder if one ever gets so use to it that being out of place is no longer a strange feeling. Being in a strange place alone is fine. But being packed into a room with people that you're supposed to know and see everyday and need to be cordial to ... that's difficult. Anyway - saw lots of sides of people that I'd never seen before. Not sure that was a good thing. Sometimes it's good to know people only as they are in their work roles. To see them let their hair down is a little scary...









End of the Year - 11/7/2002







Had staff Seminar today. Which was a real drag cause it's all this idealistic and unrealistic planning based on the most general of educational goals. It's putting down the obvious on paper - an activity that the bureacrats and admin people like to dao, and pride themselves in calling planning! Stupid activity. Ours has become a profession where the unoriginal, the mundane, the boring, the unchallenging has become exalted and given that lovely tag - "system". It's no longer teachers that work - it's the system that works. And the bureaucrats love it! As long as we have a system it'll be aye ok. Never mind that there are gaping holes - as long as we can describe those holes nicely. You need to know the shape of the hole. You need to know the jaggedness of the outline. You need to know how the outline works. In a nutshell - let's ignore reality and work with our Systems. Cause our systems become reality. And that's when the bureacrats get recognised and promoted. Because they were able to put down on paper what everyone already knows.

Stupidity comes in small parcels. It's ok to be stupid on your own. But when you spread it out to the rest of the world - then you're really somebody.

HOw to be a leader? When everyone already knows what to do, you need to interupt and explain some principle or detail that is utterly irrelevant in a manner that makes it sound important. Then you're an effective leader. YOu need to allow the people to do the work - then you must mess it up. You need to always be evasive about what people really want to know.

For all our attempts at planning the basic question on the Dept's lips - "What will I be teaching next year, J1 or J2?" was successfully evaded throughout the seminar. The principle becomes simple. The lack of transparency and clarity will only result in resistance.

But at least things are much better planning here. In the old place, planning was taken much more seriously. At the least the groups that I worked with today didn't think it was all that important ! Which meant we had lots of time to 1. doodle, 2. talk, 3. munch and 4. eat.

Interestingly enough, when the P walked by the entire table looked so busy ! Certainly a trick we've learnt from the students we teach (as one of the older teachers pointed out once he left ...) ah well - some things don't change ...







In the spirit of experimentation and finding - 11/15/2002







out about new stuff, I've embarked on learning more about Jazz and educating myself about that uniquely american art form. This has entailed listening to a lot of CDs and trying to play stuff on a variety of instruments. I've been in and out of Jazz, never really jumping in but this Hols I'm determined to make some progress. Of course I started all this earlier but it's when you have more time to yourself that you make leaps in the understanding and appreciation of stuff.

So today I went to a Jazz club. There aren't that many in Singapore so ended up in this second floor place at boat/clarke (i can't tell the diff) quay. Of course my company was tired/distracted and left after a short while and so there I was, left in a roomful of Ang Mos and Yuppies with a pitcher of yummy mango margarita to myself.

What really irritated me however was the utter lack of respect the people paid to the musicians. You don't go to a Jazz club to talk. you go to a Jazz club to listen to the music. This obviously was no the case at this club. There were loud conversations going on all over the room. Being alone, I managed to concentrate on the music pretty much but the snatches of conversation were just intrusive. This reinforces my opinion that many of us are into a thing (jazz in this instance) not so much because we want to know more or want to learn about it but because, well, beacuse it happens to be there. Which is why I've never frequented noisy discos. It's just too noisy and smoky to think through the haze. Obviously you may object and suggest that through the noise, the music and beat must cut through and that to demand quiet during a performance is elitist and rubbish. I wonder - perhaps I lack that ability to pick out stuff and so need to concentrate a lot more. I know make listening to music sound like a chore but it's a whole new world and so one treads on the ground carefully.

Anyway- the stuff was quite commercial except for some snatches of impressive piano soloing. I think that as a performative art, Jazz is unrivalled precisely because the moment is created on the spot through improvisation. Sat through 2 sets (the second featured a guest alto player, which was neat) and made sure I caught the last bus home.









A Teaching Manifesto - 11/20/2002







After an evening of conversation with students and fellow teachers, conversations separate but united by that force of being ME, I have decided in intellectual audacity and snobbery, to declare a manifesto along the lines of F.T. Marinetti's Manifesto of Futurism. In case anyone suspects my cause or questions my sources, here is the link that you may check it out (which is in a sense, easy speak for intellectual curiousity)

http://www.unknown.nu/futurism/manifesto.html



An evening of conversation? The modern convinences of the machine - International Calls, Two-in-One tele calls, face to face pontifications - mean many ideas colasced into one mind. Followed by the downing of alcohol - Good beer, stale sherry - have put me in the mood for this. I refer sparingly to the past, hoping that what gets put down marks it and guides my days to come.

Manifesto of the Teacher

1. The Teacher is Supreme. Not what is taught, not what is learnt, not the exams or the results. But WHO I am as a teacher and who YOU are in relation to every act of learning. The Teacher is never an individual but an act, a mind that inquires extends the Teacher beyond these fragile bodily strictures to ...

2. Brashness, intelligence, the Question, will be essential elements of each "teaching".

3. The end of intellectual security must be affirmed. And in this age of uncertainty we look toward the irrational, toward faith, at doubt and wonder about how these may be refashioned with a vocabulary that WE may understand.

4. I will sing the songs of those who were truly great.

5. Systems infect themselves - never trust them. Even the belief that I may change a system from within is a Lie. Like the One Ring, I must never wear the belief. I leave it for those those of stouter hearts, or with minds lesss filled with guile.

6. I dance with those whose hearts are too weak to absorb this wonder called life. Lay down your weary soul, lay down. The song is only half sung when the feet don't dance to the rhythm of their tired hearts. Lay down!

7. I co-exist with those who have sold their Souls to the system. Why? Is this not a contradiction! Are you mad? But if indeed, they have sold their souls to the System, then I have bartered my Head for much less. For a roomful of books and a 10 year old CD player! to each his own - they fill in my forms, I fill in their Voids.

8. The Teacher must exhaust himself in every exertion. Physical, emotional, psychic burn out, brings renewal or death. Choose as you wish. Without that exhaustion, nothing will be sung.

9. Every Rumour, Gossip, Bad-mouthing, deceitful practice - in short - every act of Office Politics must be condoned if those that hold the key to Political power have surrendered their Souls to the System. There is no such thing as honset reform. The anarchic is legitimate, as it steps outside the System to bring it down. These are the terms of Revolution. But these are terms, a coward like me would be afraid to use!

10. I remain true to a belief. An ideal. An observation. An insight. No amount of seduction neatly packaged as promotion or financial renumeration will sway my adherence to this. I remain inflexible that I might retain my intellectual nimbleness.

11. Embrace! Embrace knowledges, not knowledge. Plurality, connectivity, sheets of sound and the Advant Garde. Nothing is too miniscule. I learn from all. The repetitiveness of labour challenges my imagination and I laugh at the complainers and those who are above menial work! Give me mindlessness and I will strive to form a Mind!

It is from Simplicity, the Naive belief that things cannot change, that Systems perish and that Ministers talks with their mouths full but their minds empty, from the utter lack of respect for non-contradictory, sound advice that I shoot from the Hip. Don't expect me to admit to saying these things. I merely intend to live by them!











'Tis the Season for Chalet-ing - 11/27/2002







I've been musing about the whole sub-culture of class chalet-ing that has sprung up in the years since I was a student. Just some background. When I was in sec school and JC we hardly chalet-ed. 'Twas too expensive. The most we did was to go to someone's house for a BBQ or stay over at someone's house. The more adventurous would stay over at East Coast on the beach. And this was always done only with friends you were very close to. The notion of assembling as a class and squeezing into a space meant for 6-8 people, away from the scrutiny of parents and the like, was never an experience experienced. I suppose it's kind of a middle ground, a compromise between staying over at home AND staying out on the Beach (was dangerous and things used to happen). Plus the fact that you have to pay for these chalets, means that you have got to get a large number of people. Anyway - some prototypes:

The ones that don't happen
Much effort goes into planning one of these things but sadly it never happens. I think I've been told stories of this happening to classes at least twice.

We got a chalet going but ...
These happen I think when the class is quite a young one. Everyone is enthu about things but ends up doing his/her own thing. The result is much chaos and unhygenic living conditions. I seriously think that boys under a certain age should be banned from these living arrangements as they don't seem to know the first thing about communal living ... Plus, some of the boys never ever help out. all they do is sit in front of the TV and toggle the play station controls ....

My Commitment, You Chalet
This happens when only a small number of the people at the Chalet are responsible enough to work out all the logistics. This involves clearing up, sweeping the floor, taking out the trash etc. It's really irritating to know that while some people while away the time, these people are working behind the scenes to make the stay more comfortable for all. I suppose a good thing out of this is you get to know who really cares ...

We're Super-Organised
This happened at one of the gatherings I happend to visit. Everyone (well almost) was on task and helped out in preparing stuff. When it was time to start stuff no one lingered or whined. They just looked for things to do.

Let's Talk
I've wondered what indies do through the long watches of the night. Even when I stayed over at friends' houses, we never just played cards, or (in those days) modified versions of popular board games (Luck chess, ransom chess and a whole host of complex strategy games spring to mind). We always ended up mulling over stuff. Talking about what we thought about I guess. Maybe we were a generation that grew up full of hopes, expectations and fears that remained unarticulated for us and so we took to the darkness of night to unravel and explore how we felt.

And the final kind of Chalet ...Eh - you also here ah
This happens. One then wonders about the probability of these occurences. Perhaps it is true that the circles in which we move intersect at the moments that we least expect them to.

Monday, November 11, 2002

A Teaching Manifesto

A Teaching Manifesto - 11/20/2002



After an evening of conversation with students and fellow teachers, conversations separate but united by that force of being ME, I have decided in intellectual audacity and snobbery, to declare a manifesto along the lines of F.T. Marinetti's Manifesto of Futurism. In case anyone suspects my cause or questions my sources, here is the link that you may check it out (which is in a sense, easy speak for intellectual curiousity)
http://www.unknown.nu/futurism/manifesto.html

An evening of conversation? The modern convinences of the machine - International Calls, Two-in-One tele calls, face to face pontifications - mean many ideas colasced into one mind. Followed by the downing of alcohol - Good beer, stale sherry - have put me in the mood for this. I refer sparingly to the past, hoping that what gets put down marks it and guides my days to come.
Manifesto of the Teacher


1. The Teacher is Supreme. Not what is taught, not what is learnt, not the exams or the results. But WHO I am as a teacher and who YOU are in relation to every act of learning. The Teacher is never an individual but an act, a mind that inquires extends the Teacher beyond these fragile bodily strictures to ...


2. Brashness, intelligence, the Question, will be essential elements of each "teaching".


3. The end of intellectual security must be affirmed. And in this age of uncertainty we look toward the irrational, toward faith, at doubt and wonder about how these may be refashioned with a vocabulary that WE may understand.


4. I will sing the songs of those who were truly great.


5. Systems infect themselves - never trust them. Even the belief that I may change a system from within is a Lie. Like the One Ring, I must never wear the belief. I leave it for those those of stouter hearts, or with minds lesss filled with guile.


6. I dance with those whose hearts are too weak to absorb this wonder called life. Lay down your weary soul, lay down. The song is only half sung when the feet don't dance to the rhythm of their tired hearts. Lay down!


7. I co-exist with those who have sold their Souls to the system. Why? Is this not a contradiction! Are you mad? But if indeed, they have sold their souls to the System, then I have bartered my Head for much less. For a roomful of books and a 10 year old CD player! to each his own - they fill in my forms, I fill in their Voids.


8. The Teacher must exhaust himself in every exertion. Physical, emotional, psychic burn out, brings renewal or death. Choose as you wish. Without that exhaustion, nothing will be sung.


9. Every Rumour, Gossip, Bad-mouthing, deceitful practice - in short - every act of Office Politics must be condoned if those that hold the key to Political power have surrendered their Souls to the System. There is no such thing as honset reform. The anarchic is legitimate, as it steps outside the System to bring it down. These are the terms of Revolution. But these are terms, a coward like me would be afraid to use!


10. I remain true to a belief. An ideal. An observation. An insight. No amount of seduction neatly packaged as promotion or financial renumeration will sway my adherence to this. I remain inflexible that I might retain my intellectual nimbleness.


11. Embrace! Embrace knowledges, not knowledge. Plurality, connectivity, sheets of sound and the Advant Garde. Nothing is too miniscule. I learn from all. The repetitiveness of labour challenges my imagination and I laugh at the complainers and those who are above menial work! Give me mindlessness and I will strive to form a Mind!


It is from Simplicity, the Naive belief that things cannot change, that Systems perish and that Ministers talks with their mouths full but their minds empty, from the utter lack of respect for non-contradictory, sound advice that I shoot from the Hip. Don't expect me to admit to saying these things. I merely intend to live by them!

Wednesday, October 23, 2002

Oct 2002

Sleep deficit - 10/10/2002







The way things work, this morning's questions will keep wringing their way into my head. You'd think that thought can be kept separate from mind much in the same way that forces are kept separate from masses. But if the relationship between force and mass is acceleration, then what is the relationship between mind and thought? Is the link between the two the abstract ideas that interpolate - ie, the link between the mind and thought is a "sub-thought", an act of consciously making the thought. Which is pretty much what meta-cognition is all about. Having the patterns of thought should enable you to think. Sadly this isn't often the case. Scaffolding merely limits thought as it forces the mind to be constrained by a very sketchy and general sense of the world. The minutiae and the indiosyncracies, the distractions and diversions get lost along the way. Like the wind that runs through my sleepy head when I ride the non-airconditioned bus home on a hot drowsy sleepy time afternoon when I've given up trying to decipher the mazy sprawls that delany calls sentences, thought brushes past and leaves in its wake the rude sense of offended time. For if thought occured in time then every acknowledgement of thought would be merely revisiting the thing past. All thought is memory. Whether my own or borrowed or stolen. All thought maps out memory. And a reflection on thought is the history of memory. But then I'm just mixing up the metaphors and toying with weak analogies that don't seem to hold my head in place.

When I've got a headache. Is that the physicality of thought manifesting itself unnervingly? To be unnerved is no mere figure of speech - the disfunctioning neurons spider out, spindley legged fibres - Ganglion - Gaugain - Bright lion. Iced Lion. Paddle Pop Lion. I was born in August - that makes me a Leo Lion. Are you reading my mind better now? Perhaps I should try to increase the speech of thought my the momemts that my fingers write these irrelevant monumnents to memory. IF THOUGHT were the echo of things past, then my fingers dance the with the dead. My fingers caressing the plastic sheaths that encapsulate meaning, these words, burnt offerings to which dead god? Hanging playing flute like tendrils wringing down the naked side and skidding off the crown of thorns. You come to me the yellowed image of Gaugain's Christ, unable to dream again because the setting is remote from the heat dryness and dust. Down in the tomb he lay. Back in the lot they play and we structure the language flows with the automatic reflexes of grammar. Correcting myself with the present, the dance with death and words that dying fall flat on the trying ground open up new sinews - Force and accelearation, Muscle and Mass, thought and mind words combine.







Decision - 10/14/2002







Having written here for about a year, I've been thinking about adjusting some things. Obviously ODing has been a rather important part of who I am, thinking through stuff with my fingers and all that, getting to reflect and communicating with a world that I otherwise wouldn't have been able to communicate with. That's been great.

However, I think diversification is in order. We write for an audience (I remember stuff). Imaginary or not. And different audience's look for different things. Not that I intend to pander in anyway. But this is what I've decided to do. I'll continue writing here about the real world and what I think about stuff. But the creative and experimental stuff will move elsewhere. That's actually largely due to the fact that it's easier to post pictures elsewhere too.

I actually planned to move the whole thing in June. But I've always found FOD really convenient. But my spot has been saved from then and for those interested - I'm sure you'll know how to look. Catch me if you can.









Some Disappointment - 10/19/2002







Got back the scripts for the classes I teach. One did better than expected - the other two didn't. Am musing about the grades that were given. Obviously there's some subjectivity involved in the marking process but by and large the principles for grading are pretty standard. I guess the disappointment has to do with some major upsets rather than an overall sense that things have gone wrong.

However, it has led me to think about what is important in writing essays. And whether I've been focussing on the right thing. I guess I'm pretty confident when it comes to my own stuff but seeing the unexpected results of some of the essays has forced me to re-consider the priorities.

The injunction to keep it simple is well and good. However, I tend to give lee-way to intelligence. That means if a piece doesn't answer the question in the most direct of ways (and here I really mean direct as in literally quoting the question then answering it in every topic sentence) but is more subtle in its devices, and does tend to be eloquent, I don't expect a literal spelling out that "I'M ANSWERING THE QUESTION". In this, sense, my base assumption is that every script has topic sentences and every para is an attempt to answer the question - which leads then to my consideration of whether a para answers the question WELL. However, if my assumptions were different and I believed that scripts would actually NOT have topic sentences and NOT answer the question, the penalty would be for the moments that these devices were not securely in place. Of course "securely" is relative. How explicit do you have to be before you've "answered the question"? Here, one expects reasonable intelligence to be the shared ground between reader and writer. The injunction to write assuming that the reader knows nothing is rubbish because it would just make the whole communicative process impossible. But what happens when reader and writer don't match? The reader can interrogate - WHY is this so? WHY does this necessarily lead to this? But just asking WHY is not enough. The reader has to pin-point the potential misunderstanding in the absence of a solid reply of WHY. Otherwise, it is merely petulant questioning. To have to explain WHY is fine and good when a reference or context isn't clear but there's a base level of accepted assumption.

Perhaps I have assumed too much and not forced the writing to be explicit enough. Because this turned out to be the major problem with some of the pieces.

Not that I'm complaining about the accuracy of the marking. The principle to trust the marker's judgement must be in place and while there is disagreement I will not ask any marker to re-consider a script that they've marked. It's a kind of professional respect I suppose.

Also, asking another marker to re-consider a script takes on all sorts of unpleasant connotations. I really think trusting the judgement of another marker is important.

I suppose what remains to be said is that learning to cope with disappointment is important. We don't always get fairly judged and dealing with that rather than being legalistic and proving a case, bulids one up.







hey ho - 10/21/2002







Because I just managed to get a comments function working (thanks to Peng Hong!) - check it out - but only if you're into esoteric and obscure musings -

http://limitlim.blogspot.com/

If you want the real world - keep it here ...

Monday, September 23, 2002

Sep 2002

Yesterday/ Today - 9/3/2002







In the room where Window
opens out to Wall
she sat the entire day.
Sixteen hours on end
speaking to no one but that
disemobodied cackle
nine thousand miles away

"Raining. Rainy day.
Can't go out
or I'll get wet."
So the Room Without A View
The Room with Thin Walls
becomes the only choice.

Today outside my window
it's pouring.
Morning here, night there
The rain drops falling between
Window and Wall
Come one day late.







Say Something - 9/7/2002







Beneath these layers of sound
Say something
that will jog memory's film
play emotion's tunes.

Conversation grows tiring
Say something
that I've never heard before
instead of the mindless
pitter patter of sounds repeated
ad nauseum

Corpse left stretched out
to dry
On the rack
of public politeness
Come forth dead man
Speak!
Through your parched skin and tearing lips
the frizzled ends decaying muscles
Speak!
from your belly
Wonderful Words of Life!
Speak!

In the distance
Thunder
rolling but failing
Beaneath these layers of sound
Caught in a web
of inaction.







Unreal City - 9/18/2002







Beneath the bend of the tallest tower
In the safe shadow of its eye
Beyond the glare of the moonlit hour
Soft before the Morning's cry

There my love with silken eyes
Woven from Midnight's hue,
With open arms and dying sigh
Whispered tenderly and true.

"If this poor sight is what remains
Of Love's once all-conquering power
Then here I stand, alone in pain,
Beyond the moonlit hour."

A Question implied but never Asked
Turns strangely sweet then sour
Her sigh, like the dawn winds, quietly passed,
Beyond the moonlit hour.









Why The Unreal City - 9/20/2002







In reply to Eunice's pleasant request for some background and Gaston's typically boorish remarks about the inferiority of everyone else's work.

1. The poem isn't really mine. It's the result of reading AS Byatt's Possession, which is simply brilliant. I finally read it after meaning to for several years because the movie's coming out and I can't bear to watch the movie before reading the book.

2. Anyway, Byatt does several interesting experiments in the book. One of these is the (re)creation of a Poet. She styles the protagonist, Randolph Ash after the late Victorian poets - Browning in particular who is anonymously famous in most Singaporean minds for the line "The Best is Yet to Be ..." which comes from his dramatic monologue Rabbi Ben Ezra. He wrote "My Last Duchess" - a poem that people are probably familiar with. But he wrote a massive epic poem called the Ring and the Book. So this Randolph Ash is your epic poetry writer etc ... Byatt effectively creates several poems, letters, diary entries that are in that Victorian style and these form the basis of the modern day plot of the book, where two young academics try to piece together Ash's "missing" life.

3. At the same time, Byatt makes comments about post-structuralist critical theory, Freud, Lacan, the feminist movement, literary biography and of course, because she's British, the weather.

4. The point - when I was in JC, one of the things we did for Prac Crit was to recreate poetry. You'd be given a style, a particular theme and you had to wrote a poem or continue a poem. The particular challenge of this exercise arose when you had to write in fixed forms, rhyming forms with fixed metres. The belief was that if you forced yourself into the Poet's shoes, you would be able to respond better to the poetry. Of course, Byatt's book does a double take on it. The researchers are trying to piece together the individual from the scraps, in order to know the poetry better - so where does the circle end? Also, Byatt creates the poetry and the individual and so at another level, traps her researchers in another layer fictionality.

5. The title of the entry, which effectively is the title of the poem, is a quote from TS Eliot. It's from the Wasteland:

Unreal City,
Under the brown fog of a winter dawn,
A crowd flowed over London Bridge, so many,
I had not thought death had undone so many.

6. The structure of the poem, I guess, is rather easily worked out and the stilted language is in echo of late Romantic verse. Echo and repetition feature and images of ruin desolation and solitude as well, stock images of the Romantics.

7. So the poem becomes a re-reading of more traditional forms of poetry because Eliot's contribution effectively denies the illusion of the sufficency of these traditional structures in conveying meaning. And of course the act of re-creating means that the form is also simultaneously interrogated.

8a. So that's the background Miss Tang ... though writing this out did help me crystalise my thoughts on the issue

8b. But of course, Gaston, the average erudite individual would have been able to work all this out wouldn't he, before offering advice as to whether one should stick to prose. BTW, the noun forms of the adjective "erudite" are "erudition" and "eruditeness". "Erudite" is never used as a noun in refer to a person. A quick perusal of six dictionaries confirmed this. Of course, we may all have to change our minds on this because of Gaston's insistence in the matter ... I'm sure he's never wrong! ;)









Responding to Poetry - 9/21/2002







"... puts the the writing of poetry into question.
should poetry be rigid and formulated or
should it be spontaneous and free of contrivance?"

Quick response? I think there are no "shoulds" in the matter. Different literary periods have placed differing levels of emphasis on the issue. Even Shakespeare wrote in varying amounts of structure and presumably, spontaneity. Each "serves" its purpose as it were. Unless you were to argue that poetry shouldn't serve any purpose and should exist as pure expression. That's a possible thought too but at another level, there are assumptions about the nature of expression (can expression be free from governing structures) and the way language is necessarily structured.

A more involved response? First off, we don't necessarily have to think of poetry as falling into either one of these categories. The belief that writing is either spontaneous or contrived stems perhaps from the reactive proclamations of writing movements that tried to reject earlier notions. The Romantics for eg, believed that their verse was wild and free, and yet to us they seem awfully controlled and deliberate. To say that the sense of the spontaneous is merely a concept that is relevant to a particular cultural moment is perhaps a possible cop out that one might take in the issue. But we won't.

We may then think of contrivance and spontaneity as modes of writing - tools of the process - rather than apt descriptors of the final work. Indeed, they may be different paths that lead to the same poem, or at least the same impression.

Secondly, if by spontaneity we think that one doesn't work hard at poetry, then we would do well to remember that even the most avant garde poets, work ceaselessly in achieving effect. Keroauc was a notorious revisionist, continually re-working his ideas - even in separate novels. And yet he's often pointed to as being spontaneous. My thesis supervisor in the U was into this weird sound-body-breath poetry stuff, and while he poems seem to "descend" into meaningless riffs, he would/was/is meticulous in working out the sounds before each performance. of course each performance exists in time, perhaps highlighting the difference between poem as "performance" and poem as "writing".

In conclusion, our notion of spontaneity could perhaps be sophisticated thus:

In his liner notes to Miles Davis' "Kind of Blue" (a seminal album in Jazz improvisation), Bill Evans likens Jazz improvisation to a Zen-like calligraphic practice where a figure had to be written on very thin paper, in a single stroke, otherwise the paper would be torn by the ink and the figure ruined. To execute that moment meaningfully, one had to practice a life-time. To play 12-bars of gut wrenching Blues as if it were the only thing your heart could say, means hours on scales and riffs. While music is constrained by time, unlike writing, where a note played cannot be taken back, the principle of intensity applies. Spontaneity does its subject justice only if the writer has a depth of resource to draw upon. Only if that moment is drawn out from a reservoir of thought and emotion. And this thought and emotion doesn't just happen. It's years of accumulated meaning, connection making, reading, reflecting and finally, articulating.









A 95 - 9/30/2002







What's a A 95? Until today I didn't know. Then I got letter from the ministry stamped all over with red "confidential"s. Of course it had been opened and pawed through by the VP and P ... obviously "Confidential"ity has its other meanings in our bureaucratic Universe.

Anyway, an A95 is a Medical Review for People that were appointed to MOE under some clause that states that these individuals might have "non-organic" medical problems. My A95 refers to the Army Incident obviously.

MOE had, in 1999, after I informed them about the Army Incident (otherwise they would never had known - as to why I informed them ... that's a story for another day)decided that I was not psychologically sound enough to teach. They decided then to not appoint me to the teaching service. Which suited me fine as I was rather interested in doing a further degree anyway - except that they wanted me to foot the bill of the bond - 120 000 buckeroos - at which point PSC got involved and convinced that I was not as shot in the head as the paranoid Doctors at MOE thought I was. Anyway - they certified me "Unfit" then "Fit", all without my presence (and knowledge), until they came to the final decision.

So today I get a letter saying I have to go for a medical review.

To which I politely replied -

1. They certified me mentally unfit and fit (and God only knows what else) without interviewing or talking to me in the first place. Certainly my presence at a review won't make a difference.

2. The review was supposed to be in Dec 2001. If they were to busy then to bother, I don't see why I should bother now.

3. Coping with depression is a continual process. You can't tell from a review session (where they ask silly questions) how a person's coping. Anyway, I haven't been on Medical Leave ever since I started teaching. If they want to review people, they should start with everyone else first.

And that - no - I wouldn't be attending any medical review.

Petulant? Stupid? It's just a formality you should go through?

Perhaps.

But we find our sanity in shaping and defining our decisions. Perhaps I did just a little bit of that today.

The good side of all this? The P and VP probably think I'm crazy - means they won't get me to do important (to them) stuff - that's good, very good. It'll actually give me more time to TEACH and think about HOW TO TEACH. Maybe I should grin at them once in a while ... just to remind them ....



Sunday, September 22, 2002

A 95

What's a A 95? Until today I didn't know. Then I got letter from the ministry stamped all over with red "confidential"s. Of course it had been opened and pawed through by the VP and P ... obviously "Confidential"ity has its other meanings in our bureaucratic Universe.

Anyway, an A95 is a Medical Review for People that were appointed to MOE under some clause that states that these individuals might have "non-organic" medical problems. My A95 refers to the Army Incident obviously.


MOE had, in 1999, after I informed them about the Army Incident (otherwise they would never had known - as to why I informed them ... that's a story for another day)decided that I was not psychologically sound enough to teach. They decided then to not appoint me to the teaching service. Which suited me fine as I was rather interested in doing a further degree anyway - except that they wanted me to foot the bill of the bond - 120 000 buckeroos - at which point PSC got involved and convinced that I was not as shot in the head as the paranoid Doctors at MOE thought I was. Anyway - they certified me "Unfit" then "Fit", all without my presence (and knowledge), until they came to the final decision.

So today I get a letter saying I have to go for a medical review.

To which I politely replied -
1. They certified me mentally unfit and fit (and God only knows what else) without interviewing or talking to me in the first place. Certainly my presence at a review won't make a difference.
2. The review was supposed to be in Dec 2001. If they were to busy then to bother, I don't see why I should bother now.
3. Coping with depression is a continual process. You can't tell from a review session (where they ask silly questions) how a person's coping. Anyway, I haven't been on Medical Leave ever since I started teaching. If they want to review people, they should start with everyone else first.

And that - no - I wouldn't be attending any medical review.
Petulant? Stupid? It's just a formality you should go through?
Perhaps.
But we find our sanity in shaping and defining our decisions. Perhaps I did just a little bit of that today.

The good side of all this? The P and VP probably think I'm crazy - means they won't get me to do important (to them) stuff - that's good, very good. It'll actually give me more time to TEACH and think about HOW TO TEACH. Maybe I should grin at them once in a while ... just to remind them ....

This entry accepts ALL NOTES.

Mr lim.. exactly what was the "Army Incident".. really want to know more about it. [
^54^D4k0]

hoho..THAT army incident.. -kiM

even though I'm not your student, but I am interested in knowing more, seeing that you're a teacher in my school... Heh. Hope that you'll drop in once in a while. [
NiceShorts]

haha...will always remember your army incident...and sighh...it's kinda sad that our life is dictated by reports and stuff...yupyup...i mean knowing you for 2 years now...hmm...i certainly haven't seen any symptoms...except for your occasional pmsing :) and your tinge of cynicism...otherwise, i'd pass you as "fit" anytime...but yeah, if you like, a smile or two at the vp and p won't hurt - eunice

Way to go Mr Lim~
it really angers me, those people who think that depression is a sickness they can diagnose and cure like the 'flu. wait till they go through it themselves.

....i think a whole 75% of the teaching service can be classified as A95...

maybe the ones who should go for medical reviews are the VP and P. i seriously don't think you are unfit to teach. [
Chaotic Tranquility]

lOl... hmMx... then wldn't the staff in skool try to keep their distance frm u in case u strangle them n stuff? *gRiNx* [
heaven by your side]

haha.."confidential"... [
Outrageous Outlaw]

has the p or vp talked to you about it before? hehheh... maybe they'll send you back to rv... -kel

Don't let them get you down dood. Those prissy shits obviously have got nothing better to do, and their constant preoccupation with unimportant matters such as this probably explains the miserable state of the system today. In a demented sense, you stand to gain out of this. Hell, you could be Singapore's very own John Nash! Uhh ... Just a thought there ...
- Shuhua (yes, THE Shuhua) :P

(= maybe one day you shoot grin with a knife to prove them right, since they don't wanna be proven wrong. [
crimson//incision]

haha... so being nuts and feigning insanity has its ups too! =) [
iuXioN]

they don't understand. [
temporary.sanity]

don't worry. no need to go for the interview. i know you're insane. =D -vituperated ab origine.

the sTrangling thing i rEmember... vaguely.. sth abt u gonna strangle our other form tEacher besides mr choy.. wondEr if we eVer hEard youR aRmy sTory... no idEa.. :) i rEmEmbEr aLot oF laMe things you dO in cLass eg. stick ur tongue into the fan but i tHink yoU r.. eR..ok la.. [
dUm8^9er]

haha. haha. interesting, mr lim. i applaud u. certainly there's nothing wrong with u. it's just them. don't u worry.
lixin

Friday, August 23, 2002

August 2002

Interview with an Old Man - 8/2/2002







Joining me today for "Thoughts on your Birthday" in the studio is Mr Limitlim. He was born in 1974, way back then ... and we're pleased that we could chat
TOYB: Welcome to the show ... err mr limit ...
LMT: My pleasure.
TOYB: So what's it like turning 28 today?
LMT: Well, I'd like to begin with a little analogy about difference. Look out there, see the stars? How far away do you think they are? A million light years away? Ten million? A billion perhaps? The fact is a million and a billion are only vague numerical catergories that we read about and use. Realistically speaking you can't really tell the difference, at least not in the same way you can tell the difference between one and ten or ten and a hundred.
TOYB: So you mean difference isn't about the numbers?
LMT: Not quite. It more that we take difference for granted. We assume we know or at least can adequately map difference. Perceptually at least, we say that's different without quite knowing how it is different.
TOYB: So you're saying that difference has to be pinned down?
LMT: Yeah in the sense but not in the sense that it is an absolute thing. You're only different if you compare things. Difference itself, how do you pin that down? But we need frameworks to talk about difference.
TOYB: So how is this all related to you turning 28 today
LMT: It's about difference isn't it, age? How different are you today from yesterday? The change is imperceptable. But in terms of a nominal value there's a sudden leap. So we're talking about how different descriptions of change fragment the sense that this is an individual. I guess I don't like the fact that I'm growing old. Maybe that's why I'd rather it creep by.
TOYB: Right. Thanks for being on the show.







vindictive - 8/5/2002







What would you do for a million dollars worth of fame? To hear the TV stations playing your name? What would you do for money enough to study the world over and over? Prayers chanted and incantations rising to greet you every morning - for this what would you do? Perhaps it doesn't mean much when you're ordinary and living a squared existence. Perhaps when this room caves in and through the debris they find a figure dusty from writing with a manuscript pen, they won't want to whisper anymore.

I get sick in my stomach just trying to keep away. The waves of nausea remind me what's at stake in this life. Once, crawling out of bed and tracing my fingers on the glass, I carved out of condensation's palette a signature. But it was borrowed, a queer smiling face without any significance except that everybody knew it. Those were trying days when getting out of bed and sliding to the window was a wonderful achievement. Then, as now I remember it, the cold floor was scant relief from the immobility I felt when my joints reacted against lying, drugged, hours on end. When all the wrong people sought you out. You wanted friends, lovers, certain family faces to surround you in an Om of undying love. You wanted Kerouac to know you, to write to the rhythm of your wheezing chest. The Holy Goof to show you transcendence within the cold clinical walls.

And seated on the bed to make you happy. Rising like a child pyjamas clad. What would you give if innocence could once again hum and whistle and be glad? Curling up ball-like waiting to recoil. Moments of relief perhaps.

"Sing sing ..."

Regression is painful when the memories evoked are embarassing preludes to the humiliation you must face. I think back on the embarassment of writing reams of poetry only to look back and cringe at the thought that I thought it was readable. Drugged up high on anti-depressants, one catches a glimpse of the over-confidence one should possess but never will. Cleaned out, full of odd regrets for the strangest part of love is the will. Sorry has a painful ring to it. A thousand times sorry. The table tennis game tick tocks in the sanitised hallway. Today, they get to go home. Today, the tick tock becomes the seconds stretching over this hardened hour of consciousness. Unsure of the time, I make a phone call to find out. The lines don't go out from here. They ring the Nurses' Station. To get to me, you need to press the buzzer once, then wait. If you can spell my name correctly, they'll let you in. But remember, dialect names are important when sanity is the thinly veiled difference between you and I.

But they let the wrong people in. Once, as I lay there, cushioned on chocolate, three broad shouldered officers walked in. Attempting to speak to me I guess. I roll away. Embarassment then vengeance. No wrong - none of your fault. If talking exonerates, why should I speak? Response is the act of cancelling a memory. What needs re-writing we can do later. Now, pay. My only defence becomes the paranoid insistence that you're here to get me. I do not come near to your apology. Remain haunted by my vindictiveness. Remain unforgiven in your memory.

You cannot be depressed. You have a life. You have a family. You have a memo from the dr. that says they will not pay you for the days you are sad. You cannot be depressed, clinically or no, because God says so.









Hurrah Hurrah - 8/8/2002







When we stand up for Singapore, tell the nation we will count the cost, believe that we will get there, proudly shout Majulah Singapura, remember:

LIM CHIN SIONG

Lim was a founder member of the PAP in 1954. In 1955 he stood for election to the Legislative Assembly Election in Bukit Timah constituency and, at the age of 22, became the youngest assemblyman in Singapore history.

In 1961, when Lee Kuan Yew was campaigning for merger with the Federation of Malaya, Lim voiced his opposition in a reflection of the deep differences between the stances of the mainly English-educated leadership and the Chinese-educated radical wing of the PAP. In June that year Lim was among those
expelled from the PAP. This group then formed the Barisan Sosialis, a party of which Lim became the first secretary-general. In 1963 Lim and several others were rounded up and detained by internal security forces moving to forestall subversion against Merger(Operation Coldstore).

The British Commissioner in Singapore, the Earl of Selkirk, and his deputy, Philip Moore, had argued that such arrests would not only be undemocratic and unfair, but also failed to take into account that Lim and his party had been engaged in constitutional struggle.

The Commissioner's arguments for democracy and fair play were quite extraordinary and out of line with London's official thinking, but were eventually rejected by superior officials in London, especially the British Secretary of State.

The mood at the time of Lim's arrest during Operation Cold Store has been likened to "white terror", vividly described in a dedicatory poem by Tan Jing Quee, a former trade unionist who is now a lawyer and who himself was later detained on charges of being involved in communist united front activities:

On the second day of February thunder raged through frightened streets lightning blighted all lamps

Remember
C V DEVAN NAIR

IN the Singapore of the early 1980s, Lee Kuan Yew was the captain and Devan Nair his loyal lieutenant. Mr Lee, independence leader, then prime minister and now senior minister of the tiny Southeast Asian city-state, laid down the law. Mr Nair followed it. As head of the national trade union congress, then president of Singapore, he loyally parroted the "LKY" line on the importance of social order, the dangers of Western-style democracy and the evils of littering.

Then, in 1985, came a shocking break. Mr Lee told Singapore's parliament that Mr Nair had resigned because he was an alcoholic, a charge Mr Nair now calls a baseless slur. Three years later, he left Singapore for good after publicly quarrelling with Mr Lee over the arrest of a well-known government critic. Then he dropped from sight.

Mr Nair got to know his "captain" when the two were fighting to free Singapore from British colonial rule in the 1950s. A teacher whose father emigrated from India, Mr Nair taught Shakespeare while he was a member of the Anti-British League, an irony he still savours. When the British threw him in jail as a subversive, holding him for a total of five years, Mr Lee was his lawyer.

The two remained close after Singapore won its freedom from Britain. Together, they fought off an attempted communist takeover, weathered Singapore's ejection from the neighbouring federation of Malaysia and transformed their country from a run-down sea port to an economic dynamo bristling with skyscrapers. "I supported him because he was an eloquent champion of the dreams I had for Singapore," Mr Nair says.

Being president, he says now, was "the silliest job in the world. All you had to do was cut ribbons." His frustration grew.

But before he could speak out, Mr Nair found himself at the centre of a rumour-mongering campaign that labelled him a drinker and womanizer. He says he was neither, and he suspects that Mr Lee had government doctors slip him hallucinatory drugs to make him appear befuddled. "Lee Kuan Yew decided: This man is going to be a threat, so I'd better begin a total demolishment of his character. He's very good at that."

Mr Nair is not bitter. He gives Mr Lee credit for making Singapore a wealthy, stable place, an accomplishment in which he is proud to have shared. But how much greater that accomplishment would be if Singapore were a wealthy stable democracy. To him, Singapore today is a soulless place whose only ideology is materialism. Whether he could have changed that, Mr Nair wishes now he had spoken up earlier.

Remember
CHIA THYE POH

Chia Thye Poh was 26-years-old and a university lecturer when he was arrested in 1966. His crime - joining a breakaway faction of the ruling People's Action Party. He was accused of being a communist and detained without trial under Singapore's tough internal security laws.

In 1989, he was released from prison and confined to a fortress on the island of Sentosa, south of Singapore. He was eventually allowed to return to the mainland and even take a one-year scholarship to Germany, but his movements were limited.

Now, Singapore has agreed to lift all restrictions on Chia Thye Poh because it says he's no longer considered a threat to Singapore society.

However, asked what his political beliefs are today, he is unrelenting. "I feel there should be a fair, just, democratic society. Down-trodden people, low-income people should be helped."

Asked whether he holds any grudges against Singapore's Senior Minister and former veteran prime minister Mr Lee and his People's Action Party which has held an iron grip on power in Singapore since independence in 1957, Mr Chia said: "I have no personal grudge against anybody.

"My main concern is the policy [of detention without trial], because if the policy is not fair, many people will suffer."















Trip Through the Wires - 8/15/2002







Thursdays were difficult to get through. The promise of the weekend lingered tantalisingly out of reach, in the morning at least. The plodding of feet up the stair-well made it difficult to hope that the day would pass quickly and the wooden banister was poor support. Still work had to be done and scripts had to be marked.

He shovelled his great bulk into the staffroom where no one was yet stirring. After a while, heads started popping up from the table tops. One two then the whole place was abuzz with the roar of a swarming army gathering for war.

But this Thursday was especially difficult. First the morning had already brought bad reports. Student misbehaviour again. A list of names that had skipped classes, served to him by the Discipline Mistress. Yes he would have to inform them to speak to her. He felt a little awkward and stumbled through the laughing faces of the crowd after he had pointed them out. Oblivious about what this meant, they continued laughing. Then, later one, slouching toward the canteen for his customary cup of coffee, he saw a group of his kids being reprimanded in the centre of the Square. Perhaps for their uniform he sighed. And stumbled on.

What matters? What's important? What changes the world?

When he was younger he believed that music could change the world. That the Blues would make people cry their prejudice and hate away, that Rock and Roll would energise everyone into a frenzy of setting things right and that Dylan would show the way with his wisdom. Nowadays what did THEY believe? Did they believe that Evil could not triumph? Did THEY hope that they would crusade for truth? Did THEY dream of more for everyone and less of less for less? No.

They believed that dreams should be dreamt on tassled cushion, velveteen and fluffy. They believed that the future was one that held the promise of luxury and money. Change? Yes, please change the rules so we can all sleep in late, have a day off and procrastinate. Revolution? Yes, make sure I can get away with a casual show of emotion.

Their dreams were of holidays and lovers, of camps full of noise. Of skirts that made them look attractive and hair-cuts that were stylish. Music is just a phase, poetry just a fad. When you've had enough, when you've drunk your full, don't bother to wallow in the vomit you fool.

Actually it was as simple as not wanting to go for class, as simple as being lazy. Why charge it with all this existential angst? Why think about the shallowness of all the reasons and the fact that this is even worse than not having a cause?

Perhaps you wish that what you see could be turned in a direction. That the daring and nonchalance actually meant something. That they weren't just imperfect cogs in the machine but that they were precious stones waiting. Perhaps perhaps.

Look out. Here they go again.

They say ev'rything can be replaced,
Yet ev'ry distance is not near.
So I remember ev'ry face
Of ev'ry man who put me here.
I see my light come shining
From the west unto the east.
Any day now, any day now,
I shall be released.

They say ev'ry man needs protection,
They say ev'ry man must fall.
Yet I swear I see my reflection
Some place so high above this wall.
I see my light come shining
From the west unto the east.
Any day now, any day now,
I shall be released.

Standing next to me in this lonely crowd,
Is a man who swears he's not to blame.
All day long I hear him shout so loud,
Crying out that he was framed.
I see my light come shining
From the west unto the east.
Any day now, any day now,
I shall be released. - Bob Dylan









Of Leaving and Loss - 8/21/2002







Dealing with the prospect of someone close to you going off far away for a certain significant amount of time is difficult. After all, the Two of you have become One and physical closeness does make things a lot more comfortable and tangible. All the abstract notions of caring for someone at a distance fall away after you've been married for some time. But then I guess finding that distance is now going to the governing reality of our lives, these abstractions, these vagaries now figure prominently.

Have never dabbled much with love poetry. I suppose this is the closest I'll come to it.

The thought of you
instead of listing words that try
to pin ygu down i'll be the first one to admit how
difficult it is, this thought of you.


Perhaps it's like a poem filled with references
that you had to read up on to understand
resulting from emotions that have to be experienced to be
articulated. This thought of you - unrhymed,
seeking a conclusion, weaving its way
through the density of assumption
ending often only in an intepretation
this thought of you

perhaps this thought of you is like
the intricacy of a cell drawing-
magnified precision. Made clearer when simplified into vacuoles ,
nucleai and mitochondric strands-
but unable to capture every detail or each moment.
Cells breathe multiply unstable but become caught in time when drawn:
a schematic by which you're
remembered but left unfulfilled, this thought of you.

so instead of listing words that try to pin you down
i'll be the first to constantly remember,
provoke, laugh cry and sigh fondly at


this thought of you.







Got to Go - 8/23/2002







Is morning now. Saturday morning. Have to have Tea with some MOE Director. Bloody irritating. At first thought that it would be a big crowd. And I could just turn up for food. But the mailing list was very short. And people have told me it's a small group. MOE's way of pretending they track their scholars. Rubbish. Wanted to not go. But although it's an invitation. You need to give your reason. Through your Principal. ie you have to go. Will puke at people scrambling for air time with the Director. Will puke at my inability to say what I really feel because am too socialised and too polite to criticise people to their face. Puke Puke Puke. Sound like Holden Caulfield. And then will come back and feel terrible that I've sold out. That I drank their tea and nibbled their sandwiches and nodded submissively at their comments without raising my voice or shouting them down. Puke. So how will it go?









How it Went - 8/24/2002







This takes off from the previous one. I guess I knew Tea with the Director was going to be a boring affair. So I tried to make it more interesting by making observations that might perhaps be entertaining for this page. However, the whole affair got me depressed. On several counts:

1. The other people having Tea with the Director are like me - ie teachers who have taught for 2 years, who were on some kind of MOE or PSC scholarship

2. I thus assumed that these were teachers who were enthusiastic, ON about their students, loving caring blah blah.

3. I'm pretty sure they are. They seem nice enough and all that but here's the catch.

4. With the Director, most of them turned into politically correct yes-men. The "issues" that they brought up were just mundane and repetitive regurgitations of policies that we've heard about for the last several years. That got me depressed.

Anyway - some other observations:

1. The circular we got said to come in work attire. That to me meant a shirt and trousers. So I wore my checkered blue shirt and pants. But I guess some teachers take their job seriously. The guys came with ties and briefcases. And some of the female teachers - were wearing jackets / suits! Even the Director commented when he first got in - "Wah so formal ..." What does all this say to me? Bloody trying to impress.

2. We had name tags with numbers on them. And the eleven of us had to sit in numerical order! And this after the injunction to "just be yourselves, relax" ... irony

3. The whole affair laster 3 hours! Yes, 3 whole hours of repetitive droning. I can't believe teachers are that a. DUMB, b. UNAWARE, c. desperate to IMPRESS. Why Dumb? They were asking stupid questions about what the Ministry does, how to get a transfer, how teachers are assesed - information that is all available on the Net. Why Unaware? They kept going on and on when it was obvious that no one else was interested in what they were talking about. And lastly - the worst - everyone had an opinion on every topic. So you would get these awfully stereotypical comments that were always "balanced" by "I know that MOE has its constraints" or "I probably don't have the bigger picture ..." And when it was running late, some idiots kept bringing up more "issues". Look - nothing's gonna be done about your "issues" cause MOE's got a feedback on these things already. Given that, why bother to try to show the Director that you're "in tune" with things.

My part in all this.

I was good. I just shut up. I was the only one of the eleven that just didn't say anything. I made my observations, played with my palm pilot. Shifted uncomfortably in my chair. Closed my eyes when the conversation got awfully boring. Stared at the shoes of the female teachers. Rolled my eyes and tried not to shake my head at the stupidity of some of the comments.

Oh yes. I believe I made a most significant contribution to the proceedings. After a while I really had to go to the loo - so I excused myself -

And what do you know - as I walk out of the room, several others come running after. Later, some others also go to the loo. Bloody sycophants - kept the conversation going and had no guts to even go to excuse themselves to go to the loo!

And sadly, I realised that I'm probably in the minority. I'll never work in MOE HQ because I never want to turn into bureaucratic yes-man. The rest of the room want to get postings to MOE HQ quite eagerly (it was no secret why - the Director explained that MOE HQ was where you got to know the important people that could help your career). They made silly statements like - "I want to work in HQ in the Dept that can help change the mindsets of people ..."

Came back and told Ms Tan about the whole thing. I guess she's right to say that I'm an arrogant snob about these things. That I need to see that other people have their ideas and believe in them sincerely (Doesn't that make things worse ...?) Well, at least I know that the MOE is in "good hands" with all these young enthu teachers that want to change the world by issuing memos ... That gets me depressed as well. I treasure the position of marginality. But people think that it's really fake. That it's put on. That I'm just an angry rebel without a cause. So I feel compromised as well. That I just sat there and shut up. (I had promised Ms Tan I wouldn't do anything stupid - given that she's going off to New York for a year next week - like be sarcastic ... they probably wouldn't have caught it anyway ...) So I'm rather depressed about my pointless cynicism as it seems. Ah well - at least I have my books ...

By the Way - the food wasn't even good.

"so of his gentleness
Knowing I lov'd my books, he furnish'd me
From mine own library with volumes that
I prized above my dukedom." Prospero, The Tempest










Now that you're going - 8/26/2002







I suppose realisation dawns upon even those of us who would rather live their lives in obscure oblivion. The fact that you're going has come upon me slowly. This last weekend with all the arangements, the finalising of details and the numerous meetings with friends, colleagues and students that you've had to attend has crystallised that sense that you won't be here very much longer. In the beginning, I guess it was easy to shrug it off. After all it wasn't as if you were going off to war with a wooden sword to die for a cause that didn't exist. You are, after all, going to study at one of the best universities in the world, and even if you will be gone, it will only be for slightly over a year.

But I think I've taken for granted the fact that you've been around for the last two years. The fact that I fall asleep with you beside me and wake up gazing on your form softly breathing. I've gotten used to watching you care for and love those around you, be they animals loved ones or friends. I've taken for granted the old age we will spend together, quietly reading out passages that thrill our hearts and tickle our minds. And a year apart just doesn't seem to be what I've come to expect.

I guess this gives me the license to mooch around for the whole of this week. The corridors I walk down early in the morning are especially quiet and the bus ride home doesn't give me much to look forward to. Of course I'll bury myself in work but even words on a page are resoundingly silent when you speak to them. Of course I'll learn to talk to myself but the monotony of hearing my own voice will drive me mad.

Now that you're going, I tell myself that the best part of silence is the firmness of the echos and the prospect of hearing you afresh. Now that you're going, I'm learning to get used to these silences that dwell in my head.







Luggage - 8/27/2002







I'll be left with the cats I suppose
You can't pack them in. I'm sure they'll miao loudly
and the machines will stop in their tracks.
And they'll wonder why your bags
whimper and why scratching noises
creep from the insides of your cases.

I'll be left with the cats I suppose
And remember how they used to irritate you endlessly
as you tried to grade papers
By crawling onto the piles
and purring into the words.
How they'd nudge your hand,
Poised to give a mark,
with the impatient brushes
of feline insistence.

I'll be left with the cats I suppose
Mittens and Duke
Crippled and orphaned reminders
Of how completeness should be cherished,
never assumed.







Hellos and Goodbyes - 8/30/2002







Today was most interesting. Started out with action in school. The Banner - I guess will go down in history in several different ways. Very touched by the effort put in by the class in painting the banner. I guess it's not everyday you see your name writ large. Unfortunately, it became the Banner Incident. Almost like an episode in a sit com - the One with the Banner. It's interesting how the sincere and direct (read as "creative" and "original" or "non-conformist" and "rebellious") energies that lie outside formal structures get muddied by the "larger perspective". Ah well - sensitive issues all round. But I must say - 02A12 was very sweet and made an otherwise difficult day much brighter. I dare say I was quite proud of them! Anyway - am thinking about where to keep / hang the banner - it's really quite a beauty - ok - better not go on - better stop my ego from speaking ... But I suppose that it's my own experience with how stifling systems are that causes this kind of, well, appreciation for these special acts. But I am also aware of the dangers of banging your head against the wall, and for the sake of the class, hope that there will be no adverse ramifications - but that's the future - the memory of today - I'm still savouring ...

So that was quite a way to say Hello to the New Day.

Goodbyes - said goodbye to Ms Tan today. Well, wasn't the only one at the Airport. Her girls came as well. I must say the girls really took Ms Tan's going rather badly. They were crying and sobbing etc. But I suppose, saying goodbye is hard to do, even if it is only for a period. We'd actually talked about it. Ms Tan warned me that if I merely shook her hand and said, "all the best", she would not be pleased (did that once when I had to go off for a short trip some time in the distant past - quite funny ...) Anyway - we talked about how difficult saying goodbye would be - wondering if we would cry etc. But I guess it was alright today. Ms Tan cried a little - I teared a little - so did our parents. I suppose we need to remind ourselves that in the larger scheme of thiings - this is really but for a short while - that we'll see each other during Holidays, that technology makes it impossible to not keep in touch and that God will keep us both by his grace.

Ah - hellos and goodbyes !